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PT Version

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Conflict in its many dimensions and manifestations is a psychosocial and political phenomenon that has seen new manifestations and representations today, namely in cinema, journalism, and criminal investigation. New events emerge everywhere, tragedies are updated and power relations are altered. Instability, imbalances and injustice, perversity and fear coexist with radical and fundamentalist discourses and practices.   The urgency of thought is not compatible with the speed of decisions or the immediacy of the media. That is why this international conference, by articulating different levels and combining different research experiences, aims to contribute to a transdisciplinary discussion, with the ambition of facing challenges and tricky questions.

To discuss the various approaches of cinema to the phenomena of war and urban crime and violence, this meeting brings together two approaches in which different areas of knowledge will intersect, intersecting crime, violence, and art, cinema, seeking to bring to debate issues related to violence and war, from a current perspective and a multidisciplinary and multifaceted vision. The joint event – I International Conference Cinema & Conflict: war and violence and the V OPVC: War & Violence – will bring together students and researchers on the 1^th and ^2th of March, at Fernando Pessoa University (Porto – Portugal). Therefore, this joint event, by articulating, different levels and by making compatible different research experiences, aims to contribute to a transdisciplinary discussion, with the ambition to face challenges and tricky questions.

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Partners

                

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Supports

             

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Scientific Committee

Presidents:

Eduardo Paz Barroso (Cinema & Conflit)
Ana Isabel Sani (OPVC)

Members:

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Organizing Committee

Coordinators:

Sandra Tuna (Cinema & Conflit) e Laura Nunes (OPVC)

Members
Cinema & Conflit

Eduardo Paz Barroso
Renato Essenfelder

Members
OPVC

Ana Isabel Sani
Diana Moreira
Joaquim Ramalho
Laura M. Nunes

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Abstract Book»» here

MARCH 1^st

08:45 – Receção (Salão Nobre 3º Piso)

09:30 – Sessão de Abertura 
Salvato Trigo (Reitor da Universidade Fernando Pessoa)
Nadine Rombert Trigo (Pró-Reitora do Desenvolvimento Institucional e Relações Internacionais)
Eduardo Paz Barroso (Presidente da Comissão Científica da Conferência Cinema e Conflito)
Ana Isabel Sani (Presidente da Comissão Científica do V Congresso OPVC)

10:15 – KEYNOTE SPEAKER: Jorge Paixão Costa (Realizador de Cinema e Docente da Universidade Lusófona) – A guerra e o modo de produção cinematográfico português (Aspetos do caso “Raia dos Medos” e “Soldado Milhões”)

Moderação: Eduardo Paz Barroso (Universidade Fernando Pessoa)

11:15 – COFFEE BREAK

11:30 – MESA REDONDA:
Ana Isabel Soares (Universidade do Algarve) – “Configurações de conflitos interiores no cinema”
Caterina Cucinotta (Universidade Nova de Lisboa) – “Desarrumar conflitos: o cómico, o cínico e o surreal na construção visual antimáfia”
Nelson Araújo (Escola Superior Artística do Porto) – “Premonições de João César Monteiro sobre o atual contexto sociopolítico”

Moderação: Eduardo Paz Barroso e Renato Essenfelder (Universidade Fernando Pessoa)

12:30 ~ 14:00 – ALMOÇO

14:00 ~ 15:00 – “O Documentário e as Violências no Brasil”
Piero Sbragia (jornalista e documentarista) e Cristiano Burlan (realizador de cinema e professor)
Moderação: Hugo Harris (Universidade Presbiteriana Mackenzie) e Renato Essenfelder (Universidade Fernando Pessoa)

15:00 – COFFEE BREAK

15:15~16:00 – “Mulheres na Guerra: gramáticas de um conflito”
Rita Capucho (Universidade de Coimbra)
Moderação: Eduardo Paz Barroso (Universidade Fernando Pessoa) e Ana Catarina Pereira (Universidade da Beira Interior)

16:00 ~17:00 – Sessão – Cátedra de Bioética

Mesa Redonda com Mário Augusto (RTP), Susana Teixeira (UFP)

Moderação: Rui Estrada (UFP)

16:00 ~17.15 – Sessões de apresentação paralelas

SESSÃO 1 – Moderação: Elsa Simões (UFP) / Sala:  310 (3º Piso)

Vítor de Sousa (CECS-UM): “Fantasia Lusitana” em plena II Guerra Mundial: o Portugal da ficção vs. o país real. A tentativa de criação pelo Estado Novo de uma identidade portuguesa”

Margarida Raposo (UFP): “Guerra e nova censura: uma reflexão sobre o filme “E tudo o vento levou”

Jorge Manuel Neves Carrega* (CIAC): “A ocupação nazi da França no cinema de René Clément”

Júlia Marques,  Ana Catarina Pereira & Daniel Oliveira Silva (UBI /Speculum): “Ditadura Militar e Guerra Fria na primeira pessoa: As esferas pública e privada nos filmes “Diário de uma busca” e “Marighella””

SESSÃO 2 – Moderação: Francisco Mesquita (UFP) / Sala:  306 (3º Piso)

Daniel Seabra UFP OPVC CICS-NOVA: “Não se estava vivo em lugar nenhum” A violência do estilo casual e suas motivações”

Jorgelene dos Santos Oliveira* (Ufopa): “Análise fílmica de Amazônia a nova Minamata? (2022): identificação de conflitos”

Sandra Nodari* (UQÀM): “Quem são as personas apresentadas na série audiovisual Extremistas.br? Um estudo de caso a partir das vozes das fontes falantes sobre os atos antidemocráticos no Brasil”

Tiago Luís Minau Ramos (CEAUL): “Peeping Tom: O Cinema como um Instrumento de Violência”

* online

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MARCH 2^nd

09:00 – Receção (Salão Nobre 3º Piso)

09:30 – KEYNOTE SPEAKER: Sandra Walklate (Universidade de Liverpool – Reino Unido)
“Perspectives of Victimology Attending to War Times”
Moderação: Maria Alzira Dinis (Universidade Fernando Pessoa)

10:30 – COFFEE BREAK
(Sessão de apresentação de Posters)

11:00 – Sessões de apresentação paralelas
Moderação: Diana Moreira (Universidade Católica)

Candy Silva et al.:  Será que os agressores têm no seu historial o facto de terem sido vítimas de abuso sexual na infância?

Patrícia Moreira et al. :  Encontrar-se-á o facto de terem sido vítimas de abuso emocional e/ou negligência na infância no historial dos agressores?

Daniela Ribeiro et al.: Violência e delito – vitimação e padrão predominante de vinculação em indivíduos com práticas delinquentes

Filipa Carvalho et al. : Violência e Adições: Causa ou Efeito?

Nancy Almeida et al. : Experiência de vitimação por indivíduos dependentes de drogas.

Tatiana Brandão et al.: Crime empresarial e a criminologia: Os mecanismos de imputação penal no compliance criminal.

Rayara Custódio et al.*: Mulheres encarceradas: Vitimação e a prática de crimes

Eirini Aristotle *: To Perpetual Peace

Laura Nunes et al.: Boas práticas de intervenção espacial para a mais eficaz prevenção criminal

* online

13:00 ~ 14:30 – ALMOÇO

14:30 – PAINEL: “Migrants / Refugees Victimization”
Helmut Kury (Universidade de Freiburg – Alemanha)
Moderação: Rui Estrada (Investigador OPVC – Universidade Fernando Pessoa)

15:30 – “Criminology and Victimology Handbook”
Autores: Laura M. Nunes e Ana Sani (Coordenadoras OPVC – Universidade Fernando Pessoa)
Apresentado por Vanessa Cavalcanti

16:00 – COFFEE BREAK
(Sessão de apresentação de Posters)

16:30 – Sessões de apresentação paralelas
Moderação: Vanessa Azevedo (Investigadora OPVC – FPCEUP)

Mariana Magalhães et al.:  Violência sexual na Guerra da Ucrânia: Reações dos Internautas a Notícias no Facebook?

Daniela Paulo et al. : Violência e crime – o impacto do estado e das caraterísticas dos espaços físicos.

Joana Araújo et al.: Online Grooming: das dificuldades de conceptualização à compreensão do processo.

Daniela Cunha et al.: Resposta de Acolhimento de Emergência- Cruz Vermelha Portuguesa de Matosinhos.

Vanessa Azevedo et al.: Mais vale prevenir do que remediar: Prevent It | Programa de intervenção para Minor Attracted People

17:30 – Sessão de Encerramento
Inês Gomes (Pró-Reitora Académica da Universidade Fernando Pessoa)
Pedro Reis (Diretor da Faculdade de Ciências Humanas e Sociais da UFP)
Moderação: Sandra Tuna e Laura Nunes (Universidade Fernando Pessoa)

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  Keynote 

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CINEMA	OPVC

 

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About our University

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The University Fernando Pessoa (UFP), established by the Fundação Ensino e Cultura Fernando Pessoa (FFP) and recognized as of public interest by Decree-Law nº 107/96, from the 31st July, is the result of an innovative project of higher education, started in the 1980′^s, through the Instituto Superior de Ciências da Informação e da Empresa, and the Instituto Erasmus de Ensino Superior, which served as its structuring base and whose seniority of degrees and diplomas it inherited, according to Article 7 of that decree.

VISION
To be recognized as a University that innovates in knowledge and teaching methods, contributing to the enrichment of the country, helping to form enterprising, scientifically well prepared, culturally evolved, socially committed, and ethically committed citizens.

MISSION
UFP assumes as its primary mission teaching sustained by honest study and permanent scientific updating, served by an innovative pedagogical methodology that transforms knowledge into skills, by the development of critical spirit and autonomous thinking of students open to interdisciplinarity and to a solid ethical, cultural and civic formation.

The University fulfills its mission by respecting ethnic, cultural, political and religious diversity as well as gender equality.

The observance of the Universal Declaration of Human Rights; the abhorrence of war and ideological and religious fundamentalisms; tolerance in social relations; and creative and entrepreneurial daring are the guiding values of the university in the fulfillment of its mission and the achievement of its goals.

With the motto Nova et Nove (innovating in knowledge and teaching methods), the University Fernando Pessoa (UFP) has as its objectives teaching, research, community outreach, and service provision in the fields of training offered by its organic units of face-to-face teaching:

Faculty of Science and Technology
Faculty of Human and Social Sciences
Faculty of Health Sciences

Learn more in >>> www.ufp.pt

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 Como chegar à Universidade >>> Ver aqui

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 Deadline for abstract submission: February 10

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The history of cinema is intertwined with one of its main themes: war. From D. W. Griffith’s infamous and technically innovative “The Birth of a Nation” (1915, USA), whose background is the Secession War in the United States, to the cinema that exposes barbarism, such as the visceral classic ” Come and See ” (“Idi i Smotri”, USSR, 1985) directed by Elem Klimov, the gaze of countless directors on these conflicts, which often transcend any possibility of rational understanding, permeates the entire spectrum of human emotions: The excitement of victory, the exaltation of heroism of soldiers and civilians, the repulsion and horror in the face of the unspeakable, the confusion, the ridicule, the fear, and even love – be it the romantic love that flourishes in war, between allies and enemies, or the violent passion that takes over animalised soldiers at the battlefront.

One of the first feature films known, the Italian “Quo Vadis”, directed in 1912 by Enrico Guazzoni, is in a certain sense a war film, “made as a tool to legitimate the Italian imperialistic expansion” (Teixeira da Silva, p. 3). Not by chance, it is released in the same year in which the Italo-Turkish War ends.  War cinema has often been, after all, also a cinema of propaganda, used to dehumanize opponents, exalt allies and justify atrocities – whether in fictional or documentary form.

But the violence of armed conflicts is not restricted to the battle fronts. On the big screen, urban violence is another constant theme, which provokes in us a strange fascination. It is a territory of serial killers and nocturnal predators, disturbed and lonely, who roam the streets in search of their next victim. Horror, cinema claims, is often not at the front, thousands of miles away from us, but next door, where the unknown lurks.

To discuss the various approaches of cinema in relation to the phenomena of war and urban crime and violence, the 1st International Conference Cinema and Conflict will bring together students and researchers on 19 October, at Fernando Pessoa University (Porto).

Those interested in presenting papers on this theme should send their proposals, according to the instructions below:

IMPORTANT NOTE:  ALL authors and coauthors of each paper and/or poster must be registered to obtain a certificate

 

RULES FOR THE STRUCTURE OF ABSTRACTS (POSTERS AND/OR PAPER PRESENTATIONS):

1. State which event you are applying for:
⇒1st International Conference on Cinema and Conflict: War and Violence
⇒V OPVC International Congress: War and Violence
2. Title, name(s) of the author(s) (first name and surname), institutional affiliation and respective e-mail addresses for contact, presentation mode (online or in person), type of presentation (poster or paper presentation)
3. Abstract, in English, Portuguese or Spanish, not exceeding 300 words and including the following points:
4. Introduction
5. Method
6. Results/discussion
7. Conclusions
8. Indication of 3 to 5 keywords
9. The abstracts must be original, not previously presented or published. The content of the abstract is the sole responsibility of the author (s)
10. The text should adopt the following format: font Times New Roman, size 12, justified, and spacing 1.5 pt between lines, in Word.

Paper presentation:
1. Each presentation (in person or online) will have a duration of 10 to 15 minutes. It will be presented on the event’s template slides, in Portuguese, Spanish or English.

Submission of abstracts (Posters and/or Paper presentations):

• The abstracts should be sent via the submission form  until February 10, 2023, at 24:00 hours;
• A message will be sent by e-mail, acknowledging receipt of the abstracts;
• Notice of Acceptance / Rejection of proposals will be made by e-mail, until  15 February, 2023 (for submission by 31 January, 2023)
• After acceptance, the authors of the submitted work must register in the event until February 20, 2023 – registration is mandatory.
•  Registrations are only accepted after payment.
• Posters and Paper presentations must use the template previously provided and available in the event website.

ABSTRACT SUBMISSION 

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           Fees & Register on line

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UNTIL 15 FEBRUARY  2023

Researchers from UFP and partner institutions, with paper/poster	40,00€
Students from UFP and partner institutions, with paper/poster	20,00€
External Institutions, with paper/poster	50,00€
Participants without a paper/poster	20,00€
Students from UFP and partner institutions without paper/poster	15,00€

 

AFTER 15 FEBRUARY 2023

Researchers from UFP and partner institutions, with paper/poster	50,00€
Students from UFP and partner institutions, with paper/poster	30,00€
External Institutions, with paper/poster	60,00€
Participants without a paper/poster	30,00€
Students from UFP and partner institutions without paper/poster	20,00€

Important:
Registration includes: certificate , sent by e-mail, documentation and coffee breaks.

Modo de Pagamento: Bank Transfer
Nome: Fundação Ensino e Cultura Fernando Pessoa-Pharma
Banco: CGD
Código balcão: 0091
NIB:0035 00910001231233050
IBAN: PT50 0035 0091 0001231233050
SWIFT: CGDIPTPL

Note: Participants must send the proof of bank transfer through the registration on line, attaching the document.

REGISTRATION